Huen Tsang's description of Pundranagara in the mid-7th century AD gives us glimpse of a prosperous and rich city. About five hundred years later, the same suggestion is made in the 13th century in the Karatoyamahatmya, confirming the city's continuous prosperity over the centuries. However, Mahasthan excavations have always been on a rather limited scale and as such, except for some probable remains of Gupta and Pala period temples and non-descript structural remains, no considerable area of the city has been cleared to make its plan in any given period intelligible. The latest attempt by the Bangladesh-French joint excavations team, also seems to have taken on the task of establishing the culture sequence of the site by vertical probing, instead of looking for any horizontal progress. At least that is the impression one gets at the end of seven seasons' diggings. Some buildings, all apparently religious, around the city have been extensively excavated - govinda bhita in1928-29 and lakshmindarer medh, Gokul in 1934-36 (NG Majumdar).
As in other sites of Bangladesh, many terracotta plaques have been found in Mahasthangarh. However, we should take note of the recent discovery of a series of a very unusual type of large terracotta plaques from a place near the main city site. These plaques appear to have adorned the walls of a temple now completely gone. The speciality of these plaques is that they depict the story of the Ramayana. Each plaque depicts a particular scene and is labelled with a Sanskrit inscription using alphabets of the late seventh century. This is so far unique in Bangladesh. Very recently, a new cultural dimension has been added by the discovery of Rouletted Ware at Mahasthan.
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