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Showing posts with label Archaeological Sites and Monuments. Show all posts
Showing posts with label Archaeological Sites and Monuments. Show all posts

Friday, March 6, 2009

Wari-Bateshwar

Very recently, the newly established Department of Archaeology in Jahangirnagar University has been playing a significant and fruitful role in probing new fields in the archaeology of Bangladesh. Their two pioneering achievements have been in the domain of prehistory and 'early history' of Bangladesh. Their recent work in Wari-Bateswar (Wari-Bateshvar) has established an 'early historic' horizon, 4th - 3rd century BC - Mauryan, perhaps pre-Mauryan - in southeast Bengal (Vanga-Samatata) like Mahasthangarh in northern Bengal (Pundravardhana). Wari and Bateshwar are two contiguous villages in the Narsingdi area of greater Dhaka and are known for various surface finds of minor antiquities. Among them, the most significant are stone (fossilwood) tools, punch-marked coins in thousands, and also thousands of semi-precious stone beads - many of which are unfinished, indicating that they were manufactured locally.

This is however a site where no mounds have been found. A respected local family, the Pathans - Hanif Pathan and his son Habibullah Pathan - have built up a family collection of these ancient relics and have been trying persistently since 1933 to project the importance of the site by writing in journals and publishing books about them. Also, NK Bhattasali visited the site and reported on it in 1935-36.

What is significant is that several miles around Wari and Bateshwar there are sites bearing punch-marked coins establishing the cultural, political and economic importance of the entire region. There are several early medieval sites around, for instance Belavo (Bhojavarman copperplate inscription) and Ashrafpur (2 copperplate inscriptions of Deva Khadga) which speak of the continuity of the importance of the area over a long period. The Archaeology Department of Jahangirnagar University has been investigating the site since 1989 and in 2000 a joint excavation in the nature of trial digging was carried out by Jahangirnagar University, International Centre for Study of Bengal Art (ICSBA), and the government Archaeology Directorate. A preliminary report has come out recently, and has been published by ICSBA. However, much more work is needed to establish the nature of the site. That it goes back to 'early historic' times of the subcontinental chronological frame work - 4th-3rd century BC - is now certain. But the details of the nature and extent of the culture, and the reason why it is here at all, are points to be worked out. Its connection with some kind of maritime activities has been postulated. The picture is still blurred and it will take many years before we get a clearer view.

Mainamati

Antiquities dug up from Mainamati ridge have established its value as a potential archaeological site. The copper plate inscription of Ranavankamalla Harikaladeva was discovered as early as 1803. In 1875 ruins of what was supposed to be a small 'brick fort' was discovered in the Kotbari mound, along with some typical Mainamati terracotta plaques. It was, in fact, another monastery. Surprisingly Cunningham never visited the site. Francis Buchanan however visited it at the end of the 18th century. NK Bhattasali made a tour of Mainamati in 1917 and reported his findings in his Iconography of Buddhist and Brahmancial Sculptures in the Dacca Museum (1929).

However, during the Second World War the Archaeological Survey of India, under its superintendent TN Ramachandran, carried out an investigation and a limited rescue operation in order to save the remains from the vandalism of military contractors On his recommendation, 20 sites were protected. Ramachandran's illuminating report was published in BC Law Volume, pt II, in 1946. Meanwhile, the partition of India took place. The Pakistan Department of Archaeology very wisely took a cue from Ramachandran. In the thorough survey that followed, about 55 ancient sites were listed that could still be traced scattered through the entire length of the Lalmai ridge. Continuous excavations followed from 1955 and still going on. These excavations have helped in revealing important and unknown facts of southeastern Bangladesh's political, economic, religious and art history and the evolution of Buddhist religious architecture in the eastern-most corner of the subcontinent before its extinction. Barrie M Morrison, an American scholar, investigated the ruins in the early sixties of the 20th century and published the results in 1974 in a thought-provoking book called Lalmai - A Cultural Center of Early Bengal.

So far only nine sites have been excavated and some excavations are ongoing. They are shalvan vihara, kutila mura, charpatra mura, Ranir Bangalow, ananda vihara, itakhola mura, rupban mura, bhoja vihara and mainamati mound 1A. Although Ramachandran did not attach any special importance to the Shalvan Raja's Palace Mound (now called Shalvan Vihara) FA Khan, the then Director of Archaeology in Pakistan, wisely chose it for his first excavations. The results obtained later amply justified his choice. On the whole, Mainamati has been extremely prolific in the yield of cultural material but Shalvan Vihara, identified as Bhavadeva Mahavihara on the basis of a sealing, in particular has proved to be a treasure house of inscriptions, coins and terracotta plaques.

Of the thirteen (14 if we include the Harikaladeva copperplate retrieved in 1803) copper plates recovered from Mainamati excavations no less than eight were from Shalvan Vihara, four from Charpatra Mura and one probably from Ananda Vihara. Of the nearly 400 coins found at Mainamati about 350 were collected from Shalvan Vihara, which included a few gold coins of the Guptas, Devas and the Khadgas. The number of bronze miniatures excavated from Shalvan Viharas is also considerable. In contrast to Paharpur where the largest number of stone sculptures and terracotta plaques in any one site in Bangladesh has been found, an astounding number of inscriptions, coins and miniature bronzes have been hauled from Mainamati, unequalled for any one ancient site not only in Bengal, but perhaps in the entire subcontinent. What is more important, however, is that not only in sheer number but also in significance they are unparalleled. The inscriptions belong to no less than five dynasties (Guptas, Khadgas, Devas, Chandras, and later Devas), and in some cases introduce us to new dynasties and kingdoms not known before, like the Devas. Altogether the discoveries from Mainamati - inscriptions and coins, sculptures and architecture - have changed the concept of the history of south-east Bengal between c 6th and 13th centuries AD. Not only its political history but also the area's artistic, religious and economic history have been illuminated by the finds.

In the case of the Shalvan Vihara excavations, for instance more than 300 coins - gold, silver (bulk), and copper - testify to the use a regular currency. This has revolutionised our long held idea about Bengal's currency system, which was based for long on the absence of Pala and Sena coins. It now appears that at least the southeastern part of Bengal had a flourishing currency system that incidentally also indicates a flourishing economic life. Also, the fact of the discovery of the Pattikera and Harikela silver coins side by side at Shalvan Vihara has helped clarify our understating of both the coinages.

These excavations have revealed several kinds of Buddhist religious architecture including the cruciform type that we have already discussed. Among this type at Mainamati, the Ananda Vihara was the largest. If the Vihara was named after the third Deva king, who it seems now had ruled sometime in the middle of the 8th century, then among the cruciform temples his was perhaps the earliest, and perhaps it was even earlier than the ones in Paharpur.

The three other notable architectural varieties are represented by the Kutila Mura ruins, which have three traditional type stupas in a row, each having a chaitya hall in front. The Kutila Mura complex has been called a Ratna-traya (Buddhist, Three Jewels) type stupa. This may be the earliest establishment on the hills, going back perhaps to Khadga times, that is to say, mid-7th century to mid-8th century AD. There are reasons to believe that the last quarter of the 7th century may be the probable date for the Kutila Mura stupas. Kutila Mura is significant since portions of the original superstructures of the stupas are still standing. Rupban Mura is also noteworthy in this respect since a very small part of the original superstructure in the shape of a corbelled roof in one of the image chambers is still intact, and is the only example of the type among the ancient remains of Bangladesh.

The other two notable architectural types are the Charpatra Mura and the Itakhola Mura. Charpatra Mura is the findspot of an inscription of Ladahachandra, the Chandra king. There is a possibility that Charpatra Mura was a Hindu Vaishnava temple dedicated to Ladahamadhava.

No account of Mainamati will be complete without reference to the three marvels recently discovered; two of metallurgical skill and one of stone sculpture. The stone sculpture is a standing Buddha image discovered in the Rupban Mura excavations. Its uniqueness lies in the fact that this is the only sculpture approximating the classical Gupta Buddha image in Bangladesh, or for that matter, Bengal as a whole. The other two marvels are a bronze colossal Vajrasattva image discovered in the ruins of Bhoja Vihara in 1994 and a huge bell found at Rupban Kanya Mura. The 1.5m high sitting Vajrasattva is a wonder of bronze casting dating probably to 10th -11th century AD. Of the same kind, but mutilated, (since only the head being preserved), is part of another bronze image, a large life-size bronze head of Boddhisattva Avalokiteshvara which has traces of gold plating on the polished surface. This was collected from the Bairagi Mura mound. The bronze bell's estimated weight is about half a ton. This can also be dated to the 10th -11th century AD.

Mahasthangarh : Another View

The remains of the walls of Mahasthangarh show the site as having been once a fortified city. Its suburbs extended for miles and their impressive remains can be traced even today. As its remains show it is also unique in being a city with a continuous history of more than 1500 years (c 3rd -2nd century BC to about 15th century AD). However, with the earlier discovery of probable evidence of urn burial and the recent discovery of probable Chalcolithic levels (Bangladesh-French joint excavations) the occupation of the site may go back to many centuries prior to the foundation of the Maurya period city. In the beginning of the 20th century some excavations were carried out at Mahasthan, particularly in 1907. Then in 1928-29 KN Dikshit of the Archaeological Survey of India excavated here, closely followed by Probhas Chandra Sen, a lawyer from Bogra. Sen probed a large number of mounds and published a report on behalf of the Varendra Research Society in 1929 in which he published an excellent map of the site and its environs.

Huen Tsang's description of Pundranagara in the mid-7th century AD gives us glimpse of a prosperous and rich city. About five hundred years later, the same suggestion is made in the 13th century in the Karatoyamahatmya, confirming the city's continuous prosperity over the centuries. However, Mahasthan excavations have always been on a rather limited scale and as such, except for some probable remains of Gupta and Pala period temples and non-descript structural remains, no considerable area of the city has been cleared to make its plan in any given period intelligible. The latest attempt by the Bangladesh-French joint excavations team, also seems to have taken on the task of establishing the culture sequence of the site by vertical probing, instead of looking for any horizontal progress. At least that is the impression one gets at the end of seven seasons' diggings. Some buildings, all apparently religious, around the city have been extensively excavated - govinda bhita in1928-29 and lakshmindarer medh, Gokul in 1934-36 (NG Majumdar).

As in other sites of Bangladesh, many terracotta plaques have been found in Mahasthangarh. However, we should take note of the recent discovery of a series of a very unusual type of large terracotta plaques from a place near the main city site. These plaques appear to have adorned the walls of a temple now completely gone. The speciality of these plaques is that they depict the story of the Ramayana. Each plaque depicts a particular scene and is labelled with a Sanskrit inscription using alphabets of the late seventh century. This is so far unique in Bangladesh. Very recently, a new cultural dimension has been added by the discovery of Rouletted Ware at Mahasthan.

Mohasthangarh

Mohasthangarh

Mohasthangarh is one of the main attractions in north Bengal. It was the capital of Kingdom of the Mourjo, the Gupta and the Sen Dynasty. This is the ancient archeological and historical which was, established in 2500 BC. It is the oldest archaeological site of Bangladesh is on the western bank of river Karatoa 18 km. north of Bogra town beside Bogra-Rangpur Road. The spectacular site isan imposing landmark in the area having a fortified, oblong enclosure measuring 5000 ft. by 4500 ft. with an average height of 15 ft. from the surrounding paddy fields. Beyond the fortified area, other ancient ruins fan out within a semicircle of about five miles radius. Several isolated mounds, the local names of which are Govinda Bhita Temple, Khodai Pathar Mound, Mankalir Kunda, Parasuramer Bedi, Jiyat Kunda etc. surround the fortified city. This 3rd century archaeological site is still held to be of great sanctity by the Hindus. Every year (mid-April) and once in every 12 years (December) thousands of Hindu devotees join the bathing ceremony on the bank of river Karatoa.A visit to Mahasthangarh site museum will open up for you wide variety of antiquities, ranging from terracotta objects to gold ornaments and coins recovered from the site. Now it is one of the major tourist spots maintained by Bangladesh archeological Department.You can go to Mohasthanagar from Bogra town, 10 km. away. Don�t forget to visit Mohasthangar museum while visiting Mohasthangar. Mohasthan Buddhist Stambho is another attraction for the tourists; it is locally called as Behula�s Basar

Major Archeological sites and Historical sites in Bangladesh

  1. Paharpur

  2. Dinajpur Kantaji's Temple

  3. Puthia Shiva Temple

  4. Mahasthangar

  5. Bagherhat world Heritage Mosque

  6. Mainamati

  7. Sonargaon the old capital Panam City

  8. Lalbagh Fort

  9. Ahsan Manjil
  10. War Memorial
  11. Language Memorial
  12. Lord Curzon Hall

Tuesday, February 3, 2009

Comilla : A Brief

Comilla : Though this city is nearer from Dhaka but it is in Chittagong Division. Distance of Comilla from Dhaka in 95 km where as from Chittagong town its 167 km .The main attractions of Comilla are Bangladesh Academy for Rural Development (BARD), the home of famous Comilla Approach to rural development, Lalmai and Maynamoti hills, Shalban Monastery, Maynamoti museum and Comilla Zoo. Comilla Maheshangon houses one of the richest libraries of old literature and culture.

BARD (BangladeshAcademy for Rural Development) : This is one of the main attractions in Comilla. This is one of the richest academic institutions for conducting research and action research; execute projects and pilot experimentation and imparting training in the diversified areas of rural development. The famous Comilla Model has been developed for sustained development. Besides academic excellence, the beautiful gardens and planned plantations of various trees are really enjoyable.

Lalmai Moinamoti and Shalbon Bihar :They are famous historical and archeological places around Comilla. These are a series of hillocks, where the Northern part is called Moinamoti and the Southern part is called Lalmai; and Shalbon Bihar is in the Middle of Lalmai and Moinamoti, which the was established in 8th century by King Buddadev. Salban Vihara, almost in the middle of the Mainarnati-Lalmai hill range consists of 115 cells, built around a spacious courtyard with cruciform temple in the centre facing its only gateway complex to the north resembling that of the Paharpur Monastery.

Kotila Mura situated on a flattened hillock, about 5 km north of Salban Vihara inside the Comilla Cantonment is a picturesque Buddhist establishment. Here three stupas are found side by side representing the Buddhist "Trinity" or three jewels i.e. the Buddha, Dharma and Sangha.

Charpatra Mura is an isolated small oblong shrine situated about 2.5 km. north-west of kotila Mura stupas. The only approach to the shrine is from the East through a gateway, which leads to a spacious hall.

You will find the historical things found in Lalmai & Moinamoti of 7th & 8th centuries. The Mainamati site Museum has a rich and varied collection of copper plates, gold and silver coins and 86 bronze objects. Over 150 bronze statues have been recovered mostly from the monastic cells, bronze stupas, stone sculptures and hundreds of terracotta plaques each measuring on an average of 9" high and 8" to 12" wide. Mainamati is only 114 km. from DhakaCity and is just a day's trip by road on way to Chittagong.

Monday, January 12, 2009

The World Heritage : Paharpur Monestry

The World Heritage : Paharpur Monestry



Paharpur Monestry is situated in a village named Paharpur (Pahadpur) under the Badalgachhi Upazila of Naogaon district. The village is connected with the nearby Railway station Jamalganj, the district town Naogaon and Jaipurhat town by metalled roads. It is in the midst of alluvial flat plain of northern Bangladesh. In contrast to the monotonous level of the plain, stands the ruins of the lofty (about 24m high from the surrounding level) ancient temple which was covered with jungle, locally called Pahar or hill from which the name Paharpur is derived.



In 1923 the excavation was started at last by the initiative of the Archaeological Survey of India. This excavation continued until 1934 and the devoted work of K. N. Dikshit, one of the senior officers of the Survey, and others achieved the tremendous result to clarify the whole structure of the Vihara. Continued excavation and conservation activities showed that the degradation was becoming a problem, so the Government of Bangladesh started to request assistance and contribution to such kinds of activities from international resources. At the 21st UNESCO General Conference held in November 1980, a resolution was adopted to take up the ruins of the Buddhist Vihara at Paharpur and the Historic Mosque City of Bagerhat, Bangladesh, as target heritage sites for the UNESCO's international campaign to safeguard the cultural heritage. In accordance with this decision a UNESCO mission visited Bangladesh from February through March 1982 with the support of the United Nations Development Programme (UNDP) and a master plan for the conservation of both heritage sites was completed in 1983. The international safeguarding campaign officially commenced in 1985 when Paharpur Buddhist Vihara was included in the World Heritage List.

Inscriptions : Paharpur Monestry




The discovery of an inscribed copper-plate and some stone inscriptions has helped us to determine the chronology of the different periods. The copper-plate found in the northeast corner of the monastery is dated in 159 Gupta Era (479 AD). It records the purchase and grant by a Brahman couple of a piece of land for the maintenance of the worship of Arhats and a resting place at the Vihara, presided over by the Jaina teacher Guhanandin. This Vihara, which was situated at Vatagohali in the 5th century AD, must have been an establishment of local celebrity.

It is worth mentioning here that the same name Vatagohali is found on a mutilated copper-plate found at Baigram dated 128 GE (448 AD). The mention of the name Vatagohali in a record from Barigram, which is about 30 km to the north of Paharpur, indicates that the two places Vaigrama and Vatagohali may not be for away from each other. The Guhanandi Vihara at Vatagohali must have shared the fate of other Jaina establishments in Pundravardhana, when anarchy reigned supreme in Bengal in the 7th century AD. At last peace was established and the Pala empire was securely founded in Bengal in the 8th century AD and a magnificent temple along with a gigantic monastery was established by Dharmapala at Somapura. Dikshit believes that the monks in the new Buddhist Vihara might have been given the royal permission to appropriate the land belonging to the Jaina Vihara and kept the original charter in their possession. According to him 'this suppostion can alone, explain the find of the plate among the ruins of the Buddhist Vihara'.

A number of stone pillar inscriptions were discovered from the site which contain the records of the donation of pillars referring to either Buddha or the three jewels. The dates assigned to them belong to 10th and 12th century AD. All the donors have names ending in garbha, viz, Ajayagarbha, Shrigarbha and Dashabalagarbha, excepting one which shows a fragmentary record of some person whose name ended in nandin. It is possible that these indicate continuity or succession of monks at Paharpur Vihara.

A few stucco heads have been recovered from Paharpur, but this art was not as developed as in the Gandhara period. The common feature of all the Buddha heads found at Paharpur is the protruding eyelids and in some of them the hair is shown in ringlets.

Only a few metal images have been found. The ornamental image of Hara-Gouri, a standing naked Jaina and the bronze figures of Kubera and Ganesha are the only important images that have been discovered at Paharpur from pre-Bangladesh period excavations. But the post-liberation excavation (1981-82 precisely) discovered the torso of a large and highly important bronze Buddha image. Due to damage by fire only the upper half down to the thighs has been preserved. However, it is still possible to make out that the figure once represented the Buddha in a standing posture. The surviving part of the image measures roughly 1.27m, so that total height of the original must have been about 2.40m. In view of its style and the layer in which the bronze was discovered the sculpture can be attributed to about the 9th or 10th century. The only other known bronze Buddha figure from about the same period and of roughly equal size is the famous image from Sultanganj in
Bihar, now in the Art Gallery of Birmingham Museum.

Coins As many as five circular copper coins have been discovered from a room close to the main gateway complex of the monastery. Of them three are of a unique type showing a rather clumsily depicted bull on the obverse and three fishes on the reverse. A silver coin belonging to Harun-ur-Rashid, the Khalifa of Baghdad, bears the date 127 AH (788 AD). Another series of six coins issued by sher shah (I540-45 AD), two of Islam Shah (I 545-53 AD), three of Bahadur Shah (16th century AD), two of daud karrani, one of akbar (1556-1605 AD) and one of Sultan Hussain Shah Sharki of Jaunpur. All these coins are fabricated on silver excepting the last one, which is of copper. But we are not yet sure how these coins made their way into this vihara.

Pottery The pottery discovered from the excavation at Paharpur was numerous and varied. Most of them belong to the middle or the late period roughly from the end of the tenth to the twelfth century AD. One class of ware, which may be attributed to the early Pala period (about 9th century AD). These are decorated with cross lines in the lower surface only or on the sides as well. Only a few large storage jars (one inside the other) were found in situ in some monastery cells. These large jars were set in the corner of the room by cutting the floor of the third period (Diskshit's second period) monastery. But no food grains or any other object was found in the jars. These were full of soil. A number of complete saucers could be recovered from the pre-monastic level. This pottery may be attributed to the pre-Pala period (c 6th to 7th century AD). Generally the pottery is well burnt to a red or buff green on which red slip was applied either in bands or on the entire surface except at the bottom. Almost all the vessels had a broad base and a protuberant centre while the large storage jars had a pointed or tapering bottom. Besides a number of vessels shaped like modern handis and spouted vases or lotas, there are also vessels with a narrow neck and mouth with a cylindrical body. A number of lids of pottery, dishes, saucers and lamps which include a large variety of circular shell vessels with or without a lip at the rim near the wick have been found. Other common antiquities are the terracotta crude female figures, the model of animals, parts of finials, dabbers of truncate cone shape, flat discs, sealings and beads of cylinderical shape. A number of ornamental bricks have been found in the pattern of the stepped pyramid, lotus petal, the chessboard, rectangular medallion with half lotuses etc.

Terracotta Plaques in Paharpur Monestry

Terracotta Plaques in Paharpur Monestry



Terracotta plaques The terracotta plaques play the most predominant part in the scheme of decoration of the walls of the temple. There are more than 2,000 plaques that still decorate the faces of the walls and about 800 loose ones have been registered. Majority of these plaques is contemporaneous with the building. No regular sequential arrangement has been followed in fixing these plaques on the walls. The sizes of the plaques vary in different section of the walls. Some are unusually big, measuring 40 x 30 x 6 cm and some are manufactured in a special size of about 18 cm square, but most of them are of a standard height, measuring 36cm x 22/24 cm.
The representations of divinities of hierarchical religion are few and far between. The Brahmanical as well as the Buddhist gods are equally illustrated in the plaques. They are the principal varieties of Shiva and other Brahmanical gods like Brahma, Visnu, Ganesha and Surya. Buddhist deities, mostly of the Mahayana School, including Bodhisattva Padmapani, Manjushri and Tara are noticed here and there. Well-known stories from the Panchatantra are represented with evident humour and picturesque expressiveness.

The fancy and imagination of the terracotta artists at Paharpur seems to be revealed mostly in the various movements of men and women engaged in different occupations. The artists were fully responsive to their environment and every conceivable subject of ordinary human life finds its place on the plaques. Similarly animals - snake, deer, lion, tiger, elephant, boar, monkey, jackal, rabbit, fish, duck goose - have been presented in their typical actions and movements. But the representations of the flora are comparatively poor. The lotus and the common plantain tree are represented in the plaques. It appears that this art must have been very popular in Bengal and through these plaques we get a glimpse of the social life of the people of that period.



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Sculptures on Different Periods : Paharpur Monestry


Sculptures on Different Periods : Paharpur Monestry

These sculptures belong to different periods and can be classified into three distinct groups with respect to their style and artistic excellence. In the first group a considerable number of sculptures depict scenes from the life of Krsna. There are some other panels which depict the most popular themes of the Mahabharata and Ramayana and various other incidents from daily life of the rural folk. Their features and appearances are heavy and sometimes crude, without any proportion or definition of form. Though the art is technically crude and imperfect, but its social content is intensely human, highly expressive of liveliness, and artistically significant.


Despite a general heaviness all through in the sculptures of the second group, there are some panels which are marked by lively action and movement. Thus it is a compromise between the first and third group, which maintains the eastern Gupta traditions. The third group is marked by the soft and tender modelling, the refinement and the delicacy of features, which are generally associated with Gupta classicism. Besides, there is a huge difference in attitude, subject matter, temperament and general technique between the first group and the other two groups. The sculptures of the other two groups generally depict cult divinities conforming to the dictates of the Brahmanical hierarchy. The stones used in them are greyish-white-spotted sandstone or basalt. Of all the loose stone images found in the excavations the most interesting is the fragmentary image of Hevajra in close embrace with his Shakti or female counter-part.


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Please vote for Cox's Bazar : Cox's Bazar (Bengali: কক্স বাজার Kôksho Bajar or Kôks Bazar) is a town, a fishing port and district headquarter in Bangladesh. It is known for its wide sandy beach which is claimed to be the world's longest natural sandy sea beach.

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Please Vote for Sundarban : The Sundarbans (Bengali: সুন্দরবন Shundorbôn) is the largest single block of tidal halophytic mangrove forest in the world.

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The Monestry : The Entire Establishment in Paharpur

The Monestry : The Entire Establishment

The monastery The entire establishment, occupying a quadrangular court, has high enclosure walls, about 5m in thickness and from 3.6m to 4.5m in height. Though the walls are not preserved to a very great height, but from their thickness and massiveness it can be assumed that the structure was storeyed commensurate with the lofty central shrine. In plan it consists of rows of cells, each approximately 4.26 ´4.11m in area all connected by a spacious verandah (about 2.43 to 2.74m wide), running continuously all around, and approached from the inner courtyard by flight of steps provided in the middle of each of the four sides.

There are in all 177 cells, excluding the cells of the central block in each direction; 45 cells on the north and 44 in each of the other three sides. The central block on the east, west and south sides is marked by a projection in the exterior wall and contains three cells and a passage around them, while in the north there stands a spacious hall. In the monastic cell No. 96 three floors have been discovered. Here the level of the last one (upper) is within 30cm from ground level, that of the second Im, while the third (lowest) is about 1.5m from the surface. It appears that this sequence has been generalised in all the cells of the monastery. However, the top most floor was removed while the second floor has been preserved. It is interesting to note that over this floor ornamental pedestals were built in as many as 92 rooms. Originally the main purpose of the rooms was to accommodate the monks of the Vihara, but the presence of such a large number of pedestals in the rooms indicates that they were used for worship and meditation in later construction phase.

Besides the main gateway to the north, there was a quadrangular subsidiary entrance through the northern enclosure near its eastern end. There was no arrangement of ingress on the southern and western sides, but possibly a small passage in the middle of the eastern block was provided for private entrance.


Apart from the central temple in the courtyard of the monastery there are many other small building remains, which were built in different phases of occupation. The important ones are a number of votive stupas of various sizes and shapes, a model of the central shrine, five shrines, kitchen and refectory, masonry drain, and wells. Still there are some structures whose features could not be ascertained. The miniature model of the central shrine is located in the south of the central block of eastern wing of the monastery. In this model the plan has been perfected and made more symmetrical. Another important structure in this area is a flight of stairs 4m in width projecting for a distance of 9.75 m towards the courtyard of the frontage of the central block of the eastern wing. The last 6 steps are covered with stone blocks. In the southeastern part of the courtyard, near rooms 73 and 74, there are five shrines of varied shapes with a highly ornamented super-structure and a plan with a number of projections in which bold torus and deep cornice mouldings are prominent. The most interesting thing in this group is a structure showing the shape of a 16-sided star. All the shrines are enclosed within a compound wall. To its north there is a big well with the internal diameter of 2.5m.

The kitchen and the long refectory hall (bhojanashala) of the monastery are also situated in this area. A masonry drain in between the refectory and the kitchen has been traced to a length of over 46m northward. To its west there are three large wells in a row, which probably used to serve both the kitchen & refectory. There are some important structures enclosed within a regular brick wall that runs from the verandah against rooms 162 to 174 (in the northwest part of the courtyard). There are rectangular weep-holes at regular intervals through the enclosure wall, so that the water may flow out from inside the enclosure. The most important structure in this area is a square brick structure in which the lower part consists of three channels separated by walling and closed on the top by corbelled brick work; the purpose of the corbelled channels is not clear. Further west there is a well preserved well.

Central temple The central part of the vast open courtyard of the monastery is occupied by a lofty shrine, the remains of which is still 21m high and covers 27sqm area. It was built on a cruciform plan which rises in three gradually diminishing terraces. The shape of the terminal structure is still unknown to us. A centrally placed hollow square right at the top of the terraces provides the moot point for the conception of the whole plan of the spectacular form and feature of this stupendous monument. In order to relieve monotony and to utilise the colossal structure to serve its basic purpose, provision was made in the second as well as in the first terrace for a projection, consisting of an ante-chamber and a mandapa on each face, leaving out a portion of the whole length of the square at each of the four corners. The ambulatory passage with the parapet wall was made to run parallel to the outline of this plan. This arrangement resulted in a cruciform shape with projecting angles between the arms of the cross. An enclosure wall strictly conforming to the basement plan, with only a slight deviation near the main staircase, runs round the monument. There is ample evidence that this complete plan, from the basement to the top, along with different component elements, belonged to a single period of construction, but the later repairs, additions and alterations did not fundamentally affect the general arrangement and plan.


The basement wall of the temple is embellished with 63 stone bas reliefs which were inserted at most angles of the projection and at intervals in specially built recesses in the middle. The walls of the temple were built of well-burnt bricks laid in mud mortar. The plainness of the walls is relieved on the outer face by projecting cornices of ornamented bricks (twisted rope, stepped pyramid, lotus-petal pattern) and bands of terracotta plaques, set in recessed panels, which run in a single row all around the basement and in double rows around the circumambulatory passage in the upper terraces.

The temple-type at Paharpur has been frequently described as entirely unknown to Indian archaeology. The Indian literature on architecture, however, often refers to a type of temple, known as sarvatobhadra - a square shrine with four entrances at the cardinal points and with an ante-chamber on each side (chatuhshala grha). The temple at Paharpur, as now excavated, approximates in general to the sarvatobhadra type.

Structures outside the monastery area An open platform measuring 32m ´ 8m is situated at a distance of about 27m from the outer wall of the southern wing. It runs parallel to the monastery. It stands about 3.5m above the adjoining ground level and is accessible from a raised pathway across room 102. This gangway is 5m in width. In between the gangway and the wall of the monastery there is a vaulted passage running parallel to the wall probably for the free passage of people outside the enclosure from one side to another. Its vaulted construction is of utmost importance. To our knowledge, it is one of the earliest and very rare examples of this type of construction, proving that vaults were known in ancient India before the advent of the Muslims. The entire southern face of the platform is marked with a series of water-chutes, each 30 cm in width and 1.30m in length occuring at interval of 1.2m. The channels are provided with fine jointed brickwork. It was used probably for the purpose of both ablution and toilet.

Bathing ghat There is a bathing ghat at a distance of 48m from the outer wall of the monastery towards the southeastern corner of the monastery . It is not parallel to the south wall of the monastery but is slightly inclined towards the north. On either side of it there is a parallel wall paved with brick-on-edge and concrete. The head of the ghat is laid with huge stone blocks along with brickwork, 3.6m in length. It descends in a gradual slope to 12.5m, where occurs a band of lime stone slabs. The bed of the ghat is also covered with sand which shows the existence of a stream close by. A tradition in relation to the ghat is still current among the local people that Sandhyavati, the daughter of a king named Mahidalan, used to bathe at the ghat every day and she is supposed to be the mother of Satyapir through immaculate conception.

Gandheshvari temple To the southwest of the ghat at a distance of about 12.2 m there is an isolated structure locally known as the Temple of Gandheshvari. The lotus medallion and bricks with floral pattern used in the front wall as also the mortar used between the joints of bricks sufficiently indicate that this building was erected during the Muslim period. It is a rectangular hall measuring 6.7 ´3.5m with an octagonal brick pillar base in the centre. There is a projection in the middle of the western wall which contains a small room, about l.5m square. It was used as a shrine and the four small niches on the sidewalls contained other objects of worship. In front of the door there is a circular platform 7.3m in diameter with a brick-on-edge floor.

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Please vote for Cox's Bazar : Cox's Bazar (Bengali: কক্স বাজার Kôksho Bajar or Kôks Bazar) is a town, a fishing port and district headquarter in Bangladesh. It is known for its wide sandy beach which is claimed to be the world's longest natural sandy sea beach.

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Excavation of Paharpur Monestry


Excavation of Paharpur Monestry

Paharpur an important archaeological site in Bangladesh, situated in a village named Paharpur (Pahadpur) under the Badalgachhi Upazila of Naogaon district. The village is connected with the nearby Railway station Jamalganj, the district town Naogaon and Jaipurhat town by metalled roads. It is in the midst of alluvial flat plain of northern Bangladesh. In contrast to the monotonous level of the plain, stands the ruins of the lofty (about 24m high from the surrounding level) ancient temple which was covered with jungle, locally called Pahar or hill from which the name Paharpur is derived.

The site was first noticed by Buchanon Hamilton in course of his survey in Eastern India between 1807 and 1812. It was next visited by Westmacott. Sir Alexander Cunningham visited the place in 1879. Cunningham intended to carry out an extensive excavation in the mound. But he was prevented by zamindar of Balihar, the owner of the land. So he had to be satisfied with limited excavation in a small part of the monastic area and top of the central mound. In the latter area he 'discovered the ruins of a square tower of 22 feet side with a projection in the middle of each side'. The site was declared to be protected by the Archaeological Survey of India in 1919 under the Ancient Monuments Preservation Act of 1904.

Regular and systematic excavation was jointly started here in 1923 by Archaeological Survey of India, varendra research society of Rajshahi and Calcutta University. In the beginning the joint mission carried out the work with the financial help of Kumar sarat kumar ray of Dighapatia Zamindar family and under the guidance of DR Bhandarkar, Professor of Ancient History and former Superintendent of Archaeological Survey of India, Western Circle. The work was confined to a few rooms at the south-west corner of the monastery and the adjoining courtyard. The work was resumed in 1925-26 by RD Banerjee, who excavated in the northern part of the central mound. From the next season (1926-27) onward excavation was carried out under the supervision of KN Dikshit with the exception of seasons of the 1930-32. In these two seasons GC Chandra conducted the excavation. In the last two seasons (1932-34) the work was carried out at satyapir bhita, a mound at a distance of 364m east of the central temple. During Pakistan period lower levels of a few monastic cells on the eastern wing were excavated by Rafique Mughal, but the results were never published.



After independence in 1971, the site was further brought under excavation by the Department of Archaeology of Bangladesh. The operations took place in two phases. The first phase was initiated in 1981-82 and continued in every season up to 1984-1985. The second phase was started in 1988-89 and continued in the next two seasons up to 1990-91. In the first phase excavations were aimed at establishing the three major building phases of the cells which Dikshit mentioned in his excavation report and discovering the information of early levels. But in the second phase the works were confined to clear the cultural debris from the courtyard of the monastery.


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Please vote for Cox's Bazar : Cox's Bazar (Bengali: কক্স বাজার Kôksho Bajar or Kôks Bazar) is a town, a fishing port and district headquarter in Bangladesh. It is known for its wide sandy beach which is claimed to be the world's longest natural sandy sea beach.

http://en.wikipedia.org/wiki/Cox%27s_Bazar


Please Vote for Sundarban : The Sundarbans (Bengali: সুন্দরবন Shundorbôn) is the largest single block of tidal halophytic mangrove forest in the world.

http://en.wikipedia.org/wiki/Sundarbans

Share Your Valuable Views, memories and thinking on Your Culture, Educations, Professions etc.

Buddhist Monestry : Paharpur


Paharpur

Paharpur is a small village 5 km. west of Jamalganj in the greater Rajshahi district where the remains of the most important and the largest known monastery south of the Himalayas has been excavated. This 7th century archaeological find covers approximately an area of 27 acres of land. The entire establishment, occupying a quadrangular court; measuring more than 900 ft. externally on each side, has high enclosure-walls about 16 ft. in thickness and from 12 ft. to 15 ft. in height. With elaborate gateway complex on the north, there are 45 cells on the north and 44 in each of the other three sides with a total number of 177 rooms. The architecture of the pyramidal cruciform temple is profoundly influenced by those of South- East Asia, especially Myanmar and Java.
A small site-museum built in 1956-57 houses the representative collection of objects recovered from the area. The excavated findings have also been preserved at the Varendra Research Museum at Rajshahi.
The antiquities of the museum include terra-cotta plaques, images of different gods and goddesses, potteries, coins, inscriptions, ornamental bricks and other minor clay objects.

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Please vote for Cox's Bazar : Cox's Bazar (Bengali: কক্স বাজার Kôksho Bajar or Kôks Bazar) is a town, a fishing port and district headquarter in Bangladesh. It is known for its wide sandy beach which is claimed to be the world's longest natural sandy sea beach.

http://en.wikipedia.org/wiki/Cox%27s_Bazar


Please Vote for Sundarban : The Sundarbans (Bengali: সুন্দরবন Shundorbôn) is the largest single block of tidal halophytic mangrove forest in the world.

http://en.wikipedia.org/wiki/Sundarbans

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